Viewing entries tagged
emily rinaldo

SUPERCHARGE Your FLASH!  How to get more light out of your Neo 2 using the DTap Connection

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SUPERCHARGE Your FLASH! How to get more light out of your Neo 2 using the DTap Connection

Do you want to know how to get more power out of your Neo 2? Let’s SUPERCHARGE it!

Join Jason Lanier for a video shoot in the hot desert of California where he shows you how to SUPERCHARGE your FLASH with the Rotolight Neo 2 using the Dtap Connection.

All you need:


Rotolight Neo 2
V-mount Battery
Dtap cable
light stand
umbrella bracket.

SAVE 46%

NEO 2 + Transmitter

Coupon Code: JLNEO2HSS

SAVE 48%

Battery Bundle with D-Tap Travel Charger

Coupon Code:
JLBTBUN

www.rotolight.com/jasonoffers

In this video Jason uses his battery from the Rotolight Aeos on his Neo 2 to give it a real extra punch in the shots!  The Neo 2 typically takes 6 (six) AA batteries to be powered remotely.  But when you use the Dtap connection you can take the battery from the Aeos or the Anova Pro 2 and plug it into the Neo 2 making it significantly more powerful in flash mode than when you use just AA batteries.


Below are images Jason took at the shoot. Visit www.rotolight.com/jasonoffers for exclusive deals on some of the best LED lights in the world.

For more information about the lights and bundles that Jason recommends and uses please visit www.rotolight.com/jasonoffers today!  There are some tremendous bundles and savings that are just for his subscribers.  So make sure to take advantage of them today!

Gear used in the video includes:

*Sony A7Riii- https://bhpho.to/32jxEsw

*Sony Zeiss 50mm-  https://bhpho.to/2Wl7OjY

*Manfrotto Lighstand-  https://bhpho.to/2DCKuaJ

**Links to Social Media-

Jason Lanier

*Instagram- @jasonlanierphotography

*Facebook- www.facebook.com/jasonlanierworkshops

*Twitter- @jlanierphoto 

*Website- www.jasonlanier.com

Emily Rinaldo

*Instagram- @em.explores

*Website- www.emilyrinaldo.com

Necklace wrapped by Stephany Ferreira. Check out her work, The Art of Yuki, at https://www.theartofyuki.com/

We thank you for watching and invite you to stick around and watch a few more videos while you're here.  Don't forget to click on subscribe and notifications so you're updated every time we release a brand new video.

Thanks!

Jason Lanier Photography

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Blue Horizon- Shooting Urbex, Workshop, and Portrait Shoot in a Legendary Boxing Arena by Jason Lanier

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Blue Horizon- Shooting Urbex, Workshop, and Portrait Shoot in a Legendary Boxing Arena by Jason Lanier

WOW! To say that my experience at Blue Horizon Boxing Arena was epic is a true understatement. My protege Emily and I were in town for a workshop that we had planned in Philadelphia. Emily’s Urbex buddy John Hall @jhal10 reminded her of a place he’d been called the Blue Horizon. He told us that there was some sort of a secret way to get inside of there and that if we tried hard enough, we’d be able to find the man inside who could let us in.

To see the complete experience in 3 parts, Urban Exploration, shoot with a Workshop Group, and the portrait session of Emily, please watch the video by clicking below!

So we knocked on the door for about 10 minutes, patiently waiting until a man opened the door. After paying the man for the opportunity to shoot there, we proceeded to start to explore this magnificent structure that was built as a private estate back in the 1800’s and then converted into a legendary boxing arena in 1961.

One thing that Emily and I share is the love for Urban Exploration. We didn’t even know if anyone was even going to answer the door to this place let alone be able to to shoot there. But since we were in we set out to explore this place for as long as we could. Below are some of the images from the Urbex shoot shot with the Canon 11-24mm lens as well as the Sony 90mm macro.

The Blue Horizon has only been vacant since 2010, but the amount of wear and tear at this property is just insane. I love taking macro shots at Urbex locations because it can really tell the story of a place. It’s easy to get carried away with wide angle shots in urbex locations, but don’t forget the details too my friends.

We asked the man taking care of the place if we could bring a group back. We negotiated a price and then came back the following day with our workshop group. The joy in being able to bring other photographers, many of whom have never been in an urbex place like this before, is just incredibly rewarding. After some instruction they proceeded to map out their own places in the building where they wanted to shoot with the models we brought and then proceeded to shoot them with our guidance.

We wrapped up the session with a group shoot in the center ring. WOW! What an experience. We had two models named Mae and Lauren who played the part of warriors fighting in the middle of the ring. The real trick was trying to recreate the lighting that would have been present during a prize fight. We put a Rotolight on top of a boom on a C stand and illuminated the ladies as they put on a show of might. You HAVE to watch the video to see one of their epic battles stitched together in 156 frames shot at 20fps on the Sony A9. Below is just one of the stills:

DSC03609.jpg

Following our workshop group we reached out to our man on the inside once again and asked him if we could come back for one more shoot with just Emily and I. For the right price he agreed and we returned with two helpers for quite the shoot.

One of the things that made this shoot so awesome was that one of the helpers was a former boxer who actually fought at the Blue Horizon named Thomas Woods. He went 7-1 in his 8 bouts there and it was a thrill to have him accompany us for the shoot. He’s one of my followers and we actually ended up including him in the shoot playing the part of Emily’s trainer. Being that this was our third time at the Blue Horizon we knew some of the best spots to shoot at and using the Rotolight Anova Pro 2 we did an amazing shoot together. Below are some of the shots from the shoot:

What made this shoot so amazing was using the current technology of today to story tell. When you watch the video you’ll see how fun it was to get Emily and Thomas to act out scenes and for me to be able to capture them at 20FPS using LED lighting with Rotolight. It truly was an incredible experience.

I can’t thank my protege Emily enough for everything she did and continues to do to make this such a remarkable experience. This video really shows her depth not only as a model and assistant, but as a photographer as well. Below are some of her images taken at the Blue Horizon:

We can’t thank you enough for following us, supporting us, and giving your precious time to our efforts here at Jason Lanier Photography. The experience at the Blue Horizon was unforgettable and I’m so grateful to the workshop attendees who joined us as well as Erik Rosa and Clif Lowry for taking the time to volunteer and assist with what we did down there.

Don’t forget to click on subscribe and notifications so you’re updated every time we release a new video.

THANK YOU! We couldn’t do this without you.

Sincerely,

Jason and Emily

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Making it RAIN!  Epic High Fashion Portraits in the Water using Off Camera Flash- 7 Foot Parabolic by Jason Lanier

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Making it RAIN! Epic High Fashion Portraits in the Water using Off Camera Flash- 7 Foot Parabolic by Jason Lanier

Any photographer who’s been shooting long enough outdoors has had his or her bouts of shooting in the rain. While it can certainly be challenging, it can also be very rewarding to give you some results that are different than what you create on a regular basis.

Well, there are some studios out there that actually offer rain INSIDE of a studio setting. What they do is set up pipes that pass water through with holes in them that drop water down into a studio setting that has the proper drainage and water collection set up to make it possible to shoot with rain indoors.

I recently did a shoot with my muse Emily (you can find her on IG at @em.explores), at FD Photo Studio in Los Angeles. The obvious benefit to shooting indoors vs. outdoors is the fact that it allows me to set up lighting in ways that would be very difficult or impossible to set up under normal rainy conditions.

Here are some of the pics from the shoot:


**Links to Gear:

*Rotolight Products- to get a 10% discount and FREE Shipping on any Rotolight products please visit: www.jasonlanier.com/rotolight to get the promo code now!

*Sony A7Riii- https://bhpho.to/2zu1lJu

*Sony Zeiss 35mm- https://bhpho.to/2IDrv28

*Sony Zeiss 50mm- https://bhpho.to/2FmytlK

*Matthews Scrim- https://bhpho.to/2IE2HH9

*Westcott 7 Foot Parabolic- https://bhpho.to/2ICi3vP

This was a very fun shoot done at FD Photo Studio in Los Angeles. This was shot using the Sony A7Riii with both the 35mm and 50mm Zeiss lenses.

Lighting was set up using the Rotolight Aeos inside of a 7 foot parablic umbrella with a Rotolight Anova Pro 2 used as a kicker light and another Rotolight Aeos used as a fill light.

The model is the beautiful Emily Rinaldo who can be followed by going to Instagram and following her @em.explores.

We hope you enjoy the shoot and invite you to stick around and watch a few more videos while you're here. Don't forget to click on SUBSCRIBE and NOTIFICATIONS so you're updated every time a new video is released!

Thanks,

Jason

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Shoot and Review of the Sony 24mm G Master Lens- the Mighty Mouse of the G Master line up by Jason Lanier

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Shoot and Review of the Sony 24mm G Master Lens- the Mighty Mouse of the G Master line up by Jason Lanier

Early November 2018 I found myself in Manchester, England doing a workshop for Sony, Rotolight and Jessops Camera at the historic Chethams Library. Sony offered me the opportunity to use one of their 24mm G Master lenses to do some shooting fun with the newest G Master to the Sony family.

How could I say no? To watch the video from this shoot please click below:


This was an interesting lens for me. I’m not gonna lie, I originally had no intention on testing it out. Why? Well, it was simple. I have a TON of lenses. I mean I think I’ve blown my kids inheritance on lenses over the past number of years as I’ve purchased nearly ALL of the Sony E mount and FE mount lenses.

On top of that I already own a Sigma 20mm f/1.4 Art lens, so I just didn’t find myself in a position where I felt I needed another lens. But since I was already there, at the event, and since Sony was offering….I put it on my Sony A7Riii and decided to put it through it’s paces.

Initial thoughts when first handling it:

*Very light! I couldn’t believe how lightweight the lens is. I don’t know what Sony is doing with their glass but they are really breaking some new ground in delivering high quality, LOW weight lenses. This lens is right up the alley of the 400mm which is very light and high quality. This lens is HALF the weight of it’s bigger brother, the 85mm G Master.

*Feels solid- the lens like all the other G Masters the lens feels very solid and has all the stuff you want with a top of the line lens incuding an aperture ring, focus lock buttons, the ability to turn the focus on and off on the lens etc.

Thoughts when shooting with the lens:

*Very fast focus

*Makes no sound when using autofocus which could be good for video purposes for those who elect to use AF for their video work.

*Very sharp- I was impressed with the accuracy of the focus system, especially when shooting wide open at f/1.4 which as many people know, I shoot all the time.

Below are the images taken at the shoot:

PROS:

*Performance- Works just as you’d expect a top of the line lens to perform.

*Lightweight- the lightest of all the G Masters.

*Affordable…kinda- it’s the most affordable lens of the G Master family. But not many people would consider $1,398 cheap lol.

*Portable- due to it’s size and weight it’s a better choice for a travel lens than the Sony Zeiss 35mm f/1.4.

*Versatile- this is the kind of lens that can do A LOT. I could see myself using this as a wedding photographer for wide angle portraits, reception shots, ceremony shots etc. I mean being able to crank down to f/1.4 for low light ceremonies and receptions could be a lifesaver over the 16-35mm G Master at f/2.8 for example. I could also see myself using this lens a lot for videography purposes.

CONS:

*Other Options- to be fair there are other options out there, most notably the Sigma Art 24mm f/1.4. I personally own two Sigma Art lenses, the 105mm and the 20mm, both f/1.4 lenses. While they aren’t QUITE the level of the G Masters, they are pretty damn awesome, especially for the price. As a comparison the Sigma is $849 which is 40% cheaper than the Sony, so if you don’t have all the bucks for the G Master, the Sigma might look pretty enticing. It should be noted the Sigma doesn’t have the aperture ring which is very useful for videography work. But you’ll have to determine if that matters for you or not.

Summary:

If you have the money and want a versatile lens I think this is a great choice. Let’s face it, I think all the G Masters could be summed up similarly. Some may not be versatile, but all of them are amazing if you have the money. I personally own all of the G Masters except for the 400mm…but I have shot with that one extensively as well. If you have the money and don’t want to compromise performance the G Masters are a safe bet. But if you aren’t fortunate enough to be able to afford all of them, it is good to know that other options are popping up in the marketplace like the Sigma Art series and also some new offerings by Tamron.

**Links to Gear in the video and shoot:

*Sony A7Riii-

*Sony 24mm G Master-

*Rotolight Neo 2- www.rotolight.com, promo code: jasonlanier10

*Rotolight Aeos- www.rotolight.com, promo code: jasonlanier10

*Westcott Halo- https://www.fjwestcott.com/45-round-halo?acc=1c383cd30b7c298ab50293adfecb7b18

I want to thank you for joining me on my blog for this review. Please drop a comment below and let me know what you think about the lens and if this review was helpful to you. Also let me know what gear you’d like me to review in future episodes.

Instagram links to the awesome models from the shoot:

*Emily Rinaldo- @em.explores

*Victoria Lucie- @victoria.lucie

Thanks!

Jason

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