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canon rf lenses

Canon Project Part #3- Blending and Balancing Artificial and Ambient Light Using the EOS R by Jason Lanier

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Canon Project Part #3- Blending and Balancing Artificial and Ambient Light Using the EOS R by Jason Lanier

Welcome to the Canon Project Part #3- in this episode we look at how the Canon EOS R performs with LED lighting. This all takes place at a workshop I taught for the Georgia Professional Photographers of America at the North Georgia Tech College in March 2019.

This shoot represented the demonstration portion of the workshop where I was helping the attendees understand how to blend and balance artificial lighting with the available ambient lighting to create results that mimic what Hollywood does with their lighting set ups.

So what does it mean to blend and balance light to match ambient settings? This is a subject that some photographers struggle a little bit to understand and I’m hoping that the blog article and especially the video help to explain it for people who are eager to learn.

In essence this is the process of bringing down the power of your artificial lighting and pulling up the exposure in your camera to make the two exposure levels blend and balance together. This usually means increasing your ISO while turning down the power on your flash or LED light. To see the demonstration of this please check out the video to see how it’s done.

Below are images taken with the Rotolight Aeos using the Canon EOS R with the

RF 50mm f/1.2 and RF 28-70mm f/2 lenses.

Below are images taken with the Rotolight Neo 2 using the Canon EOS R with the RF 50mm f/1.2 lens.

So how did the Canon perform in this shoot? It did really well. I did most of the shoot using the Canon RF 50mm f/1.2 and a few using the RF 28-70mm f/2. I’m really impressed with the sharpness of these lenses and as to be expected the camera performed great with the Rotolight system as all the mirrorless cameras do. Can you use the Rotolights with non mirroress systems? Of course you can, but they perform the best with mirrorless cameras thanks to WYSIWYG (What you see is what you get).

I really liked the colors coming out of the Canon EOS R as I have with all of the shoots we have coming out. So drop a comment down below and let me know what you think!

To see the entire Canon Project videos please visit:

www.jasonlanier.com/canonproject

**LINKS TO GEAR**

*Canon EOS R- https://bhpho.to/2FPwh7P

*Canon RF 50mm f/1.2- https://bhpho.to/2FUvfr5

*Canon RF 28-70mm f/2- https://bhpho.to/2FCH9pI

**ROTOLIGHT PRODUCTS**

During the month of April 2019 there is a HUGE sale on the Rotolight Neo 2 and the Rotolight Aeos. If you visit www.rotolight.com/jasonoffers you can get significant savings off of these two lights plus free batteries and free shipping.

If you are viewing this AFTER April 2019 you can still receive a discount on all rotolight products visiting www.rotolight.com and after selecting your products, use the promo code: JASONLANIER10 to get 10% off all products and accessories as well as free shipping to most countries around the world.

I really hope this video helps photographers out there. Thank you in advance for watching and thanks for being here!

If you haven't already make sure to check out Parts 1 and 2 of the Canon project where we review the Canon EOS R in natural light and strobe shooting scenarios.


Jason

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Canon Project Part #2- Creating Color with Off Camera Flash- Canon EOS R with the RF 28-70mm lens by Jason Lanier

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Canon Project Part #2- Creating Color with Off Camera Flash- Canon EOS R with the RF 28-70mm lens by Jason Lanier

Welcome to Part 2 of the Canon Project, a series of videos related to our time using the Canon EOS R. In Part 2 we showcase a workshop and shoot we did in Helen, Georgia in conjunction with an event we were doing for PPA (Professional Photographers of America) for their Georgia Chapter (GPPA).

**Links to Gear Used in This Shoot**

*Canon EOS R- https://bhpho.to/2U8W4Cd

*Canon RF 28-70mm lens- https://bhpho.to/2FCH9pI

*Godox AD 600 Pro- https://bhpho.to/2FH9gnu

The location for this video was the Bus Graveyard which is a REALLY cool place to shoot. This was Day 3 of our 4 day workshop that I was teaching for the PPA members and on this day the group asked me to demonstrate a shoot from start to finish as well as give them a heads up on how I recorded my Youtube videos.

So, that’s what my Assistant/Muse Emily and I did! You can follow her on Instagram at www.instagram.com/em.explores

For this shoot we used the Canon EOS R with the RF 28-70mm lens. A lens that quickly found it’s way into my creative heart. It’s one of my favorite lenses on the planet at this point.

But we just didn’t shoot in a cool location with a great model and a new camera/lens. We also wanted to illustrate the difference that using flash can make when shooting in conditions that aren’t ideal for lighting. There is nothing better than the best natural light. But that' only exists for about 1 hour a day. And that’s only if it happens to be facing the direction that you want to shoot.

So sometimes you need to have the ability to ADD light to your scenes to be able to capture what you or your clients want or need to create. Sometimes we don’t have the luxury of picking the time when we shoot. Sometimes we have to make our own light.

In this video I show the difference between the two, demonstrating images side by side showing images taken with flash vs. images taken with natural light. Take a look for yourself by checking out the images below:

The images with flash have much more light and color. Because color = light in the world of photography. I purposely chose to make this Part 2 of the project because Part 1 shows a natural light shoot done correctly which has plenty of color and light. But that’s only because it was shot at the ideal time of day.

Below are images from the shoot:

For this shoot I have to say the Canon EOS R did exceptionally well. Focus wasn’t as fast as I’m used to with my Sony cameras, but for a portrait session like this one it was more than fine. The color rendering and effect on skin tones is really nice.

And that LENS. WOW, the RF 28-70mm f/2 is just a pleasure to shoot. There will be people who complain about it’s size and weight. But for me if you want awesome results you shoot awesome glass. And that’s one thing that Canon has done right with their mirrorless system. They are bringing out ultra professional, high grade glass. Far better than the offerings made by the Nikon Z system and far better than what Sony brought out when it first rolled out it’s mirrorless cameras.

The Canon also did much better shooting flash than the Nikon Z. It didn’t require me to do anything special to shoot in HSS (High Speed Sync) mode which was great since all of these images were taken in HSS with the exception of the natural light shot.

I truly hope you enjoy the content. If you missed Part 1 of the Canon Project which is a Natural Light Shoot done in Death Valley using the RF 24-105mm lens, you can check it out now by clicking below:

Thank you so much for watching and make sure to check out our upcoming parts of the Canon Project where we explore things like Black Light, LED, LED flash and more! We thank you for joining us and invite you to click on NOTIFICATIONS and the SUBSCRIBE button on my Youtube Channel.

See you next time!

Jason

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