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sony a9

Hands on Review of the Fuji 23mm f/1.4 lens for Fuji Crop Sensor Cameras

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Hands on Review of the Fuji 23mm f/1.4 lens for Fuji Crop Sensor Cameras

How does the 23mm Fuji lens (35mm equivalent) hold up to it’s full frame competitors like the Sony Zeiss 35mm? Wanna see comparison pics as well as finished images from model and landscape shoots? Check out the video review of this lens below that shows it all to help you see what this lens can do when used with the Fuji X-S10 crop sensor body. Click below to watch it now:

This lens is a little less expensive than the Sony Zeiss 35mm which I’ve used for years and is one of my favorite lenses. So I thought comparing the two lenses side by side would be beneficial because the 23mm is an equivalent of 35mm (1..5x crop factor) since it’s being used on a crop sensor body.

Below are the images from the two cameras. What do you think? Both sets of images were shot in Raw, Auto White Balance, and are completely unedited.

This is the Sony A9 with the 35mm f/1.4 Sony Zeiss

This is the Fuji X-S10 using the 23mm f/1.4 lens

While filming this review at the beautiful Bonneville Salt Flats in Utah I was able to do a model shoot and some landscape photography using this lens. Below are the finished edited images from those shoots. I’m super impressed by what I was able to get out of this lens.

All in all I think this lens holds up very well against it’s full frame countertop and really delivers some stunning image quality. As noted in the video it does display chromatic aberration but the Sony does so as well. And that’s easily fixed with a quick swipe of the slider in Lightroom as shown in the video. The only area where this would become an issue for both lenses would be when filming video.

I’d highly recommend this lens to anyone using the Fuji crop sensor system. I certainly was able to create some really cool pics out there in the Utah desert. A BIG thanks to my friends at AVC Photo Store and School for helping me out with the gear on this shoot. You can check them out at https://avcstore.com

Please post your comments down below and let me know what you think. Also let me know what you’d like to see in a future video. Thanks for watching my friends!

Jason

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Bodypaint Shoot at the Jupiter Dungeon with Jason Lanier

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Bodypaint Shoot at the Jupiter Dungeon with Jason Lanier

Wanna see how to make a body paint shoot into something more than a typical sexy shoot? Wanna tell a story? Create mood and atmosphere? Join award winning photographer Jason Lanier for his body paint shoot done at the abandoned Jupiter Dungeon in Florida where he uses lighting and smoke to create an out of this world shoot experience!

To watch the video from this shoot please click below now!

This was a shoot using the Sony A9 with the 50mm Sony Zeiss and 20mm Sigma Art lenses. The atmospheric haze that you’ll see in the video was purchased on Amazon. The Jupiter Dungeon is an abandoned parking garage that was never finished due to the developers running out of money. It’s a really cool place to shoot.

To see the gallery of images created at this shoot please click below.

—Gear used in the video:

**Sony A9- https://bhpho.to/35PyHQX

**Sony Zeiss 50mm- https://bhpho.to/2Wl7OjY

**Links to Social Media**

Photographer:

Jason Lanier *Website- www.jasonlanier.com

*Podcast- www.jasonlanier.com/podcast

*Instagram- www.instagram.com/jasonlanierphotography

*Facebook- www.facebook.com/groups/jasonlanierworkshops

*Twitter- www.twitter.com/jlanierphoto

Model: Jamaican Red (Danni)

*Instagram: www.instagram.com/jamaicanred_

Crew: Anthony Schick, Zach Smith

www.instagram.com/anthonyschickphotography

www.instagram.com/zsmithphoto

We thank you for watching and invite you to watch a few more videos while you're here. Don't forget to click on subscribe and notifications so you're updated every time a new video is released!

Thanks!

Jason Lanier Photography

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Creating Dorothy- How Never Giving Up Can Result in Your Best Work

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Creating Dorothy- How Never Giving Up Can Result in Your Best Work

Ever feel like giving up photography? Do setbacks set you down permanently? Join Jason Lanier for a video where he perseveres through a setback to create some breathtaking work as he exemplifies the definition of never giving up.

This shoot was conducted in Belle Glades, Florida on the side of a road in a sugar cane field. This was an unplanned shoot that had to be created on the fly due to Jason and his team getting thrown out of their original shoot location. In this video Jason uses the Rotolight Titan X1 in flash mode with the Elinchrom Skyport Transmitter to create some movie like imagery with the models named Maddi and Nicole.

This was shot using the Sony A9 with the 35mm Sony Zeiss lens. Below are images taken at the shoot


**Links to Gear**

-Rotolight Titan X1- for the best deals on all Rotolight products please visit: www.rotolight.com/jasonoffers

-Sony A9- https://bhpho.to/35PyHQX

-Sony Zeiss 35mm- https://bhpho.to/31XPakZ

**Links to Social Media**

Photographer: Jason Lanier

*Website- www.jasonlanier.com

*Podcast- www.jasonlanier.com/podcast

*Instagram- www.instagram.com/jasonlanierphotography

*Facebook- www.facebook.com/groups/jasonlanierworkshops

*Twitter- www.twitter.com/jlanierphoto

**Models: Madison Ella and Nicole Taylor

*Instagram: www.instagram.com/madisoneellaa

www.instagram.com/nicole.tayylor

Crew: Anthony Schick, Gato Delix, Greg McCoy

www.instagram.com/anthonyschickphotography

www.instagram.com/gatodelix

www.instagram.com/gregselfaction

We thank you for watching and invite you to watch a few more videos while you're here. Don't forget to click on subscribe and notifications so you're updated every time a new video is released! Thanks! Jason Lanier Photography

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The Shoot between Jason Lanier and Ken Wheeler the Angry Photographer using the Sony A9 and the Fuji GFX

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The Shoot between Jason Lanier and Ken Wheeler the Angry Photographer using the Sony A9 and the Fuji GFX

I gotta admit, this is a blog post I never thought I'd write.  I never thought I'd make two videos out of the experience, and I really didn't think any of this would come together....but I always hoped it would.

When I switched from Nikon to Sony it angered a good amount of people out there.  My chief and most vocal critic on the matter was Ken Wheeler, the Angry Photographer as he's known on Youtube.  You can go back and search for all the videos related to this subject that have been created over the last two years, but suffice it to say that me getting Ken to agree to shoot was not something many people out there saw happening.

I reached out to Ken while I was on the East Coast teaching workshops in Washington, DC and West Virginia.  Ken lives in Lexington, Kentucky so getting down to see him from West Virginia was feasible.  It required about $1000 in expenses, but I felt the opportunity was worth it to meet the man face to face that has railed against me and Sony for years now.

When I reached out to Ken he was very hospitable.  He accepted my offer to come down there and meet and seemed pretty excited about the prospect as well.  We agreed to meet at his local camera store in town called Murphy's Camera.  Don Baker and the team there were very welcoming and allowed us to shoot our first video together in the store.  This was filmed with no crew.  I set up 3 cameras on tripods and filmed it in 4K using the A9, A7Rii, and the A7Sii.  I felt that having no crew there would make Ken feel more comfortable since he wasn't using to having a crew watching him like I am.  Take a look below to view this initial conversation between the two of us:

This first meeting between us caught a lot of people off guard, most importantly some of our followers.  They really didn't see this meeting coming and were surprised we made it happen. The overall response however was very favorable.  Ken and I grabbed some dinner that night and then agreed to go out shooting together the following day.

We met up again at Murphy's Camera but this time we had a model and two volunteer assistants with us as well.  The two assistants are followers of mine who were local in the Kentucky area and agreed to come down and help out.  They aren't trained videographers but nevertheless they agreed to film Ken and I during out shoot.  You guys gotta understand, this all happened SO FAST.

I called up Ken a day before I was scheduled to leave West Virginia and then a day later I was in Kentucky.  There was no time to bring my crew that I normally travel with to this event.  The model that I had with me in West Virginia needed to go home, and my permanent videographer Jason Coccio was enjoying time off to attend a wedding in California.  So we made the best of it.

I was contacted by a local model named Tiffany Williamson who lived Knoxville, Tennessee and she agreed to come out for the shoot.  You can follow her at www.instagram.com/spacekittyxd. We agreed to terms and she then made the trip out to Kentucky for the shoot.

We left Murphy's Camera and went to the Kentucky Horse Park which is just gorgeous.  Below is the video created from our shoot together:

The video and the shoot are not intended to be a shootout, but rather a mutual shoot where we shared a great day together.  I think my favorite part was watching Ken get in trouble with the cops lol.  He really was initiated into my lifestyle as that always seems to happen to me as well.  Please take a few minutes to watch the video and you'll see two former rivals share a great day together.  Below are the images that we took at the Kentucky Horse Park:

For the shoot I used the Sony A9 with the 70-200 f/2.8 Sony G Master, using natural light only. Below are the images from the shoot:

Below are the images taken by Ken.  He used the Fuji GFX using flash and natural lighting:

For what it's worth, I'd encourage anyone watching this to focus on the coming together that this event facilitated vs. any rivalry that used to exist.  It took courage for Ken to agree to meet and to come out and shoot with me knowing the world would see everything we did.  I applaud him for these efforts and thank him for acting like a gentleman during our time together.

Thank you Ken.

Maybe more in the photography industry can do the same to come together.....:)

Thanks!

Jason

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