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Fashion photography

Shooting the Lightweight Beast- my shoot with the Sony 400mm f/2.8 G Master lens by Jason Lanier

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Shooting the Lightweight Beast- my shoot with the Sony 400mm f/2.8 G Master lens by Jason Lanier

I’m writing this blog in the early parts of December 2018. But once upon a time back in August of 2018, it was still VERY HOT. My Assistant Emily and I found ourselves in the middle of NOWHERE on the side of the road in Arizona. The temperature gauge inside of the car was telling us it was 115 degrees and boiling hot…but I digress.

Sony was gracious enough to lend me the 400mm f/2.8 lens for a few days for me to go out and test this thing. I already own the Canon 400mm f/2.8 so being able to play with this lens was a treat.

Questions abounded:

*If I already own a 400mm f/2.8, do I REALLY need to spend the amount of money as I would on a good used car to buy this lens?

*Is it really THAT much better than my Canon lens? I mean, this thing ain’t cheap.

So while driving down the road heading back to a cooler California, we saw this abandoned gas station and of course we HAD to go and shoot at it.

The first challenge was COMMUNICATION. I mean let’s face it, the 400mm wasn’t necessarily meant for doing portraits. BUT, I wanted a challenge rather than do the typical thing that most people do with this lens.

**Performance- From a performance perspective this lens hit all of the checkboxes. It focuses very sharp and very fast, has all the bells and whistles that you’d want on a premium lens and it is LIGHT! We weighed this thing and it was pretty much HALF of the weight of my Canon 400mm f/2.8. Why does that matter? Well, it actually makes the Sony 400mm f/2.8 the first lens in that range that can actually be used for handheld purposes. Why would you want to do that? Simple. It would be for the ability to be able to quickly change and shoot in areas like safari wildlife and sports. Having done both professionally in the NFL and in South Africa, I can attest to the fact that wielding a heavy lens and having to maneuver a monopod or tripod can mean missing some crucial shots.

Below are the images taken with the lens using the Sony A7Riii. The first three shots are with flash. The rest are without. If you’d like to see and know why check out the video above where the light takes a big FALL.

**VALUE- let’s not beat around the bush. This lens is EXPENSIVE. While it’s in the same stratosphere as it’s Nikon and Canon equivalents…all of these lenses are for the super pro who has a very particular need. So for pro wildlife and sports photographers who make their money shooting with the very best lenses this is a must have. For the average person out there the Sony 100-400 G Master is a great lens that is more versatile. The shots aren’t as special as they are coming out of the 400mm f/2.8, but they are very nice and the lens is about 25% the cost of the 400mm f/2.8. The other advantage of the 100-400mm is it is much more versatile for wider images which I did find very useful when I used it on safari in Kruger National Park in South Africa in July of this year.

A BIG thank you to Emily for braving the insane heat and giving me yet another epic performance. She is the BEST in every sense of the word. To follow her please visit www.instagram.com/em.explores today.

Please take a moment to let us know what you think by dropping a comment down below. Don’t forget to click on SUBSCRIBE AND NOTIFICATIONS so you’re updated every time we release a new video on Youtube. You can find our channel now by visiting www.youtube.com/jasonlanierpros. Please let me know what questions you have. If you have the money, this lens is phenomenal.

Thanks!

Jason

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Wedding Bridals in Balboa Park

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Wedding Bridals in Balboa Park

So in my career I've shot 250+ weddings all over the world.  In recent years my wedding workload has diminished quite a bit due to picking up commercial work along with my teaching and speaking schedule.  But when I got the opportunity to do a commercial shoot with Mia Bella Couture shooting wedding gowns, it took me right back to my roots as a wedding photographer.

We went down to Balboa Park in San Diego which is an absolutely beautiful location.  Using a reflector and the Flashpoint Xplor 600 I started shooting with my Sony A7Rii and the Canon 200mm f/2.8.

My mail goal with this shoot was to create a very light, bright, romantic type of a shoot.  The model was Daryl Rene and she did a truly fantastic job in helping me create these shots.  The mood of the shoot was created by the combination of using the off camera flash with a beauty dish on it (the Westcott Rapid Box XL) and the reflector on the other side.  It should be noted that this shoot took place at around 1pm on a day where the lighting was very harsh, so controlling the light by overpowering the sun was crucial.

Below are some of the shots created by using this lighting set up under a row or lattice work and columns in Balboa Park;

We then tried something new and I fired the Flashpoint through the Scrim Jim just to see what effect it would give.  The thought was in essence to create a giant outdoor softbox.  I thought the shots came out pretty cool and created some very soft light.  You can see these shots below:

It was a really great shoot and I hope you take a moment to watch the video as well so you can see how these were created.  A big thanks to Mia Bella Couture for hiring me to do the commercial shoot.  If you'd like to get in contact with us for wedding or commercial photography please contact me at jason@jlpros.com.

**Links to Gear:

*Sony A7Rii-  

*Metabones Mark 4 Adapter-  

*Canon 200mm f/2.8 lens-  

*Westcott Scrim Jim-  

*Westcott Rapid Box XL-  

*Flashpoint Xplor 600-  

Thanks!

Jason

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Commercial Photography Photo Shoot and Workshop for Mia Bella Couture by Jason Lanier

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Commercial Photography Photo Shoot and Workshop for Mia Bella Couture by Jason Lanier

Recently I had the opportunity to do a commercial photo shoot for a beautiful gown company called Mia Bella Couture.  When they first contacted me to do the shoot they knew that I sometimes allowed some of my followers to attend my shoots as part of a workshop and asked if I'd be interested in doing so with them.  I thought it would work out well so we booked the shoot.

When we got to the shoot down in San Diego it was truly awesome.  This is a shoot that you truly have to watch the video to see how we handled it.  We started off the day at 11am and my clients wanted to shoot in a specific location that was beautiful, but given the time of the day it was not ideal for lighting.  So we had to bring out a ton of diffusers and reflectors to make the lighting work.

This shoot was done using the Flasphpoint Xplor600 with a bunch of different gear that is showcased in the video.  This is just Part 1 of the shoot as we crammed so much into one day that I needed to break up the videos to show it all.

A big thank you to the beautiful models Lauren Lebouef and Tiffany Brock as well as Daryl Rene for the amazing work with Hair and Make Up.

I hope you all enjoy the video and I can't wait to share the other parts of the shoot with you as well.  Beautiful gowns, gorgeous models, and my team all came together to make it a tremendous shoot.  

**Links to Gear:

*Sony A7Rii- 

*Canon 200mm f/2.8- 

*Metabones Mark 4 Adapter- 

*Flashpoint Xplor600- 

*Westcott Rapid Box XL- 

*Westcott 8x8 Scrim Jim- 

Below are some images from the shoot taken with my Sony A7Rii and the Canon 200mm f/2.8 lens using the Metabones Mark 4 Adapter.  Stay tuned for Part 2!!!

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Angel in the Alley by Jason Lanier

This image was taken during my Chicago workshop in September 2012 with the beautiful Tyler Vines as our model.  We did this shoot at 1AM in an alleyway in Chicago....we were exhausted but definitely wanted to nail this shoot before we finished.  This was shot using a video light for front light and a triggered flash from behind.  Thanks again to my wonderful group for joining me on this adventure!

Next Workshops:

http://www.eventbrite.com/org/1864370877

Camera settings: Nikon D800, 1/80 sec at f/4.0, 16mm at ISO 4000, flash fired.  Taken at 1:11am on September 19, 2012 by Jason Lanier.

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Fashion Shoot in Maui

Rollerskating in Paia, Hawaii- this image was taken last year at a shoot I did in the little city of Paia which is located on the island on Maui. This was such a fun shoot because with my busy schedule I don't get to do a lot of fashion shoots but this was one I just couldn't pass up. The model wore pigtails with a total vintage rollerskates and the outfit to boot.

We had a location planned but the original location had to be moved because there was actually a fire in the dried out sugar cane blocking the road to the location where we were going to shoot. So needing to find a new location we drove down the road and found this little rustic laundromat that was just perfect.

When we went to the laundromat there was a man there holding his dog and we asked if we could use it in the shoot. The model wasn't used to using rollerskates, so once we put the leash in her hand and the dog starting moving, so did the model. The picture as seen is a true capture of her losing her balance and falling down after the dog changed directions. There are some things you can't create on your own, and capturing someone falling is something that you can't fake. At the same time a pedestrian walked by and witnessed the fall which I also loved in the shot.

I had to stand in the middle of the road to get it but it was totally worth it. The model wasn't harmed at all in the making of this picture. I hope you like it!

Camera settings: Nikon D3, shutter 1/500 at f/9.0, ISO 640 at 28mm. Flash did not fire.

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