Viewing entries tagged
sony a6500

Why Sensor Size Matters- Comparing Crop Sensor to Full Frame to Medium Format Cameras

Comment

Why Sensor Size Matters- Comparing Crop Sensor to Full Frame to Medium Format Cameras

Ever wonder if sensor size matters? If so, how? Depth of Field, Color, Bokeh, and Low Light Performance are all impacted by sensor size. Check out the video below to find out what you need to know!

In this review shot in the beautiful landscape of Alaska, Jason Lanier compares the Sony A6500 (Crop Sensor), Sony A7C (Full Frame) and the Fujifilm GFX 50R (Medium Format). He shoots the cameras using the same Full Frame equivalent of 50mm.

Sensor size plays a bigger role than many photographers may know. Sensor size affects depth of field (blur and separation), bokeh (how large), colors and the low light performance of a camera.

Depth of Field Comparison

Left to Right- Crop, Full Frame, Medium Format

Color

Left to Right- Crop, Full Frame, Medium Format

Bokeh

Left to Right- Crop, Full Frame, Medium Format

Comment

The Empty Inauguration for Joe Biden- the 46h President of the United States

9 Comments

The Empty Inauguration for Joe Biden- the 46h President of the United States

Get an on the street look as to what the Inauguration of Joseph Biden looked land left like in Washington, DC on January 20, 2021. With the city in a lockdown by the military, the 46th President of the United States was sworn in during the smallest inauguration in modern history. Check out the video below to see the entire experience.

The best way to describe my experience covering this inauguration is EMPTY. I stayed at a hotel less than 1 mile from the Capitol Building which gave me the opportunity to walk to the proceedings. This is the 4th inauguration that I’ve covered during my career and it was by far the most eerie and alarming.

My first inauguration that I covered was Obama in 2009. That event was chillingly cold weather wise, but in every other way it was filled with massive crowds and a celebration by his supporters. 2013 for Obama was a far less celebratory affair with smaller crowds but no riots, no protests, and relatively no problems.

Trumps Inauguration in 2017 was filled with riots and protests from those who were upset at his election victory. Anti-Trump groups blocked Trump supporters from attending the Inauguration, and riots, fires and vandalism started in the streets in Washington, DC that night.

All of that pales in comparison to the absolutely eerie and in many ways scary feeling in Washington, DC in 2021 for Joe Biden. I walked the streets the night before to find the city in a complete military lockdown. I walked around for hours around the fencing that had been erected to block off access to the entire National Mall. I didn’t find or see a single Biden supporter. I also never saw a single Trump supporter that so many people in the Biden Administration were worried about.

All I saw was a MASSIVE military presence. 25,000 members of the National Guard. That was in addition to Secret Service, Capitol City Police, Customs and Border Patrol, The Park Service and more. The entire city was in complete lockdown with fully armed assault rifles. I’d only ever seen something like this in my visits to third world countries in airports and around embassies, but never to this degree. This was a very heart breaking thing to witness.

DSC04965-Edit.jpg

My goal with every inauguration that I’ve covered has been to show my fellow citizens what it’s like from the ground perspective to attend and witness the inauguration of our President. There are more than enough press getting the same shots of the President putting his hand on the Bible to take the oath. I’ve always wanted to show that it’s like for the normal people out there. This was the first time the National Mall was completely blocked off to citizens unless you had an in with a politician. It was surreal.

DSC04916.jpg

On inauguration morning the streets were completely empty. I walked from my hotel down Massachusetts Avenue and then to New Jersey Avenue towards the Capitol Building. Every street, every intersection, every alley way barricaded by huge military vehicles and guarded my military personnel. The only crowd I could find were full of members of the press. I got as close as any of us could to the Capitol Building near Union Station. That was the area where they were shuttling in dignitaries who were apparently important enough to be let inside.

DSC04977-Edit.jpg

Standing so close to the Capitol Building yet not being able to hear or see anything going on there was just….crazy. If it weren’t for the news you would have no clue that our country just inaugurated a new President. There were no speakers, no large screens, NOTHING. Nobody on the outside where I was located had any reaction to anything. In fact at 11:48am when Joe Biden was sworn in, there wasn’t a single person there who really even knew it happened. No clapping, no cheers, nothing. It was like it never happned.

DSC05022-Edit.jpg

They used two large buses to block off access to the Capitol Building from where we were standing. That was the closest any person could get. This was the area that saw the largest crowd of the day which was at best 200-300 people with the vast majority of them being photographers and members of the press. There were 3 Trump supporters who were there peacefully. And there were 3 Biden supporters who were also there peacefully. THAT WAS IT.

DSC04984.jpg

The only people causing any issues were the crazy “Homos to Hell,.” people (group of 3) who come to every inauguration I’ve ever documented seeking to stir up trouble. And they weren’t affiliated with either Trump or Biden supporters. They just love the attention they bring from provoking the crowds with insults.

At around 1pm everyone just kind of left. There were a small handful of vendors trying to sell Biiden/Harris beanies, hats and magazines, but there was really nobody there to buy them. It was so empty out there that I even passed a USPS delivery van that was parked on the side of the road and the mail delivery person had the door open just rocking out to music in his own world.

The entire experience seemed like a scene out of a dystopian movie. Odd, eerie, somber, and just sad. I’m very grateful that I was able to document this event and the other 3 that I’ve done. Handing power over to the person who becomes the most powerful person in the world is a very historic event. This one just felt like it never happened. I’m not a conspiracy theorist and I’m not saying it didn’t happen. I’m just saying if you were there on the streets with me and the other 250 people that gathered….we never knew it happened.

Below are some images taken during my two days covering this event. They blocked off the entire National Mall from January 19th through January 22nd. I truly hope future inaugurations will bring the freedom of access to myself and all fellow Americans. And I thank you for taking the time to read and watch the documentary that I created.

All images were taken using the Sony A6500 with the Tamron 17-70mm lens. I had my bigger cameras with me, but this bundle was more than enough for the small affair brought in our 46th President.

9 Comments

CHEAP Lens Challenge- Shooting the Sony FE 50mm with the Sony A6500 in a train

16 Comments

CHEAP Lens Challenge- Shooting the Sony FE 50mm with the Sony A6500 in a train

I'm blessed....I'll admit it.  I work hard for what I've achieved, but I'm very grateful and humbled that I get to shoot with some of the best lenses in the world.  I've shot with Zeiss, Sony G Master, Sony Zeiss and many more.  I've also shot with nearly all of the Canon L lenses and many Nikon lenses to boot.

So one comment and/or request that I get quite frequently is, "Can you do some videos or shoots with some cheap stuff that the rest of us can afford?  We love seeing your shoots but I'll never be able to afford that stuff."

Fair enough.

I remember the days of saving up income for good amounts of time to be able to afford gear.  I REALLY DO.  Those days aren't too far in my past.  So I decided to start adding (yes I bought them), some cheaper lens options into my gear arsenal so I can represent and reflect all of the photographers that follow my work and my Youtube Channel.

So recently I did a shoot using the Sony FE 50mm with the Sony A6500 inside of an old train. The shoot was quick as we had only 15 minutes to complete it.  I think that's a good thing because it shows you what was able to be created without an elaborate setup or time that could honestly make the lens look better than it is.

**Links to Gear:

*A6500-  

*50mm FE lens-  

*DJI Osmo-  

*Westcott Rapid Box XL-  

If you haven't already please take a moment to check out the video that we rolled that will show the focus tests, the shots using natural and artificial light and more.  The video explains much more than I can properly articulate here in a blog post, so I kindly invite you to watch it now.  

For those who have already watched it you'll know that for $200, I think it's a pretty sweet little lens that is a welcome budget friendly addition to the Sony mirrorless lens lineup.  Below are the shots taken at the shoot.  All of them have been edited using Lightroom and Photoshop.  I hope you enjoy...:)

 

The model is the beautiful Cassandra Caballero.  Please let me know what questions you have...and thank you for watching!!

Jason

16 Comments

Salvation Mountain-  My First Shoot with the Sony FE 85mm f/1.8 on the Sony A6500

6 Comments

Salvation Mountain- My First Shoot with the Sony FE 85mm f/1.8 on the Sony A6500

So thanks to the kindness of Sony, I was able to borrow the Sony FE 85mm f/1.8 lens prior to it being released to the public.  So I asked my followers what they wanted me to do with the lens and one of the most frequent requests was that I slap that puppy on my A6500 and show the world what the images looked like.

So I booked my crew and a model and we headed out into the middle of nowhere....literally.  We went out to Salvation Mountain which is somewhere between Mexico and Palm Springs out in Niland, California.  It is a CRAZY place!!

We did a number of shoots earlier in the day and as the sun was getting close to setting I threw the lens on my A6500 and did a quick shoot.  I wanted the shoot to be something similar to the time frame I'd have when shooting for 10-15 minutes at a wedding...like the couple shoot after the ceremony just to show people what can be done in a short amount of time.

Lighting wasn't necessarily optimal, but I wanted to show what could be done in less than ideal situations.  I used the Flashpoint Xplor 600 monolight with the Westcott Rapid Box XXL as a modifier.  Below are some of the shots from the shoot.  All of the images taken were shot wide open at f/1.8.

We hope you enjoy the shoot.  Please let us know what you think and what questions you have. We certainly have high hopes for this lens and the performance of it paired with this camera is quite a combination!!

**Links to Gear:

*Sony A6500-  

*Sony 85mm f/1.8 lens-  

Thanks!

Jason

6 Comments

First Shoot with RAW files on the Sony A6500 with wild ocean seals in La Jolla, California

3 Comments

First Shoot with RAW files on the Sony A6500 with wild ocean seals in La Jolla, California

I was very fortunate to be provided a loaner Sony A6500 from Sony for two days in late November.  The news came quick that I'd be able to use it so I called my Assistant Brenda asking her to organize a shoot as quickly as she could.

She organized a group of models and crew to meet down in La Jolla, California which is an absolutely beautiful area.  To be specific we went down to the area called the La Jolla Cove where not only is the coast line beautiful like many areas in Southern California, but you'll also be able to interact with some amazing wildlife.

So we went to set up the shoot on the rocks where the ocean meets the land and while setting up we were visited by an amazing seal.  The amazing creature came right out of the ocean, crawled up onto the rocks and started posing for me.  Now he didn't know he was posing....but he sure did a great job of letting me take his picture.

At the moment when he came up we weren't even fully set up and ready to shoot.  I'd just pulled the A6500 out of the box and had put in a card.  My mic was also not even tucked in but luckily it was on.  I told my videographer Jason Coccio to start rolling the minute I saw him.  So while my plans were to shoot a model for my first set with the A6500, it ended up being a beautiful seal.

Since I was planning on doing a model fashion shoot I had the Sony 85mm G Master on the camera, not a traditional wildlife lens.  But I decided to go with it and shoot the seal in a similar manner to how I'd shoot a model portrait session.  I could have easily stopped down and shot it at f/2,8 or even more narrow, but I accepted the challenge to shoot it wide open at f/1.4.

Navigating around slippery rocks wasn't the easiest thing to do with a loaner camera and a $2,000 portrait lens, but it did result in some pretty awesome shots.  The first thing I noticed was just how FAST the camera focuses.  People say it's the same sensor as the A6300, but all I know is it tracks and finds focus faster....which is saying a lot because the A6300 is already fast. The seal gave me the very unique opportunity to really test the tracking because a seals head moves up and down and side to side like a rocking boat.  It is NOT easy to track.  Luckily the A6500 did a great job of finding and keeping focus.

Below are some shots taken with the A6500 and the 85mm G Master:

I then quickly placed the Sony 90mm macro lens on my camera and tried to get some detail shots of the seal.  Again, focus was achieved very quickly which enabled me to get some great shots.  

Below are shots taken with the Sony A6500 and the 90mm macro lens

So after shooting for about 15 minutes with the seal, it became sick of doing a photoshoot and meandered up the rocks to join the other seals that were there.  It was a great shoot and we quickly moved on from it to shooting with the models.

My initial thoughts from my first shoot with the A6500 was that it performed remarkably well. The buffer in Raw was significantly better than any other Sony camera I've ever used.  The auto focus was faster and it responded well in so many ways.  I even filmed some footage of the seal with the camera and noticed the benefit of having the IBIS on the camera. 

Below are some links to gear if you'd like to add one of these to your gear bag.

*Sony A6500-  

*85mm G Master Lens-  

*90mm macro lens- 

Thanks!

Jason

3 Comments

My Sony A6500 will NOT Overheat...no matter how hard I tried to get it to!

Comment

My Sony A6500 will NOT Overheat...no matter how hard I tried to get it to!

Well, I tried.  I really gave it an honest try.  With all the hubbub over the A6000 series cameras overheating, one of the first things I wanted to try out when I got my hands on the A6500 was how well the new camera responded to overheating.

With earlier cameras like the A6000 and A6300 there were issues for some when shooting video and the camera overheating.  Now let's set the record straight on something that should be common knowledge but isn't.  Unless a camera is classified as a "video camera" like the Panasonic GH4 is....it will NOT exceed the 30 minute time frame.  Companies do this quite simply to save money.  Video cameras are taxed at a higher rate than still cameras...it's a fact.

So when any still camera stops recording at the 29:50 mark, it isn't overheating, it's simply obeying the law based upon if it's a video camera or a still camera.  The REAL question that needs to be answered is, "Once it stops, can you immediately hit the RECORD button and start recording again?"

When I first got the A6000 nearly 3 years ago and took it with me to Ethiopia, the video would overheat after about 20 minutes or so and the camera wouldn't turn back on until it cooled off.  The A6300 was better, but it did indeed overheat at about the 25 minute mark when recording 4k video.

So when Sony added IBIS (In Body Image Stabilization) to the A6500, conventional wisdom would indicate that there would actually be MORE heat going on inside the camera body, not less. So I was ready to be disappointed with how well the camera handled heat.

BOY, was I surprised.  I got a loaner camera for Sony and was able to shoot with it for two days.  I was so busy trying to crank out shots and test it as much as I could that I really didn't get a chance to just leave it recording for an endless amount of time.  On top of that, I couldn't just leave it recording through the middle of the night because it will stop at 29:50 no matter what. Meaning I'd have to be awake and hit the record button every 30 minutes.  Plus, I wanted the footage to be REAL.  I wanted to test it in conditions that I would actually use the camera in.

I see so many tests online that simply are ridiculous.  Tests where people set a camera in hot sand or on a hot rock that's roasting in the sun and then are shocked that a completely metal object like a camera would get hot.  That's honestly laughable.

Like all of my reviews and tests, I care about how it will perform in the real world, not sitting on a rock in the desert.  Because after all, who in the world is gonna use it like that?  Nobody...unlesss you're a desert hermit without a tripod who vlogs I guess.

So I started recording on this camera.  Predictably it stopped recording at the 29:50 mark.  But to my happy surprise when I immediately hit the record button again, it started recording immediately.  But then....it kept recording.  And wouldn't overheat.

I could NOT get the A6500 to OVERHEAT!!!  I shot it in 1080p (yes I tested in 4k as well but that's for another post), and it would NOT overheat.  You guys seriously have to watch the video to see what I'm talking about.

It got to the point where I had models and my photography crew standing around waiting for the darn thing to overheat so we could start shooting with it.  It got so bad that I was WANTING it to overheat lol.

IT NEVER OVERHEATED.  Barely got warm.

At the 2 hour and 2 minute mark I said enough was enough.  My memory card was full and I'd gone through 2 batteries.  It simply would not overheat.  I had one of the models come over to the camera (that was in direct sunlight for hours by the way) and her words were that the camera was "barely warm".

So how did Sony do it?  Well, they removed the constraints that were placed on the camera.  You can go into the menu and turn off the limiter that prevents the camera from shutting down when it overheats.  But that being said, it was never even physically hot.  It felt like a camera normally feels when you've held it in your hands for a good 10 minutes....just a mild warmth.

I can't completely explain how Sony did as I'm not one of their engineers and I simply don't know. And to that end I really don't care how they did it.  I just care that they did.  I hope to see the same advancements in future iterations of their other cameras.

Stay tuned for the 4k test as well!!!

**Links to Gear:

*Sony A6500-  

*Sony 35mm Zeiss-  

*Feisol Tripod- 

Comment

Sony A6500 REAL World Hands on Touch Screen Test for Stills and Video using the Sony 85mm G Master

1 Comment

Sony A6500 REAL World Hands on Touch Screen Test for Stills and Video using the Sony 85mm G Master

So I got to test the Sony A6500 for the first time today.  One of the newest and most talked about feature on the A6500 is the touch screen.  It's the first time a touch screen has been put on one of the semi-pro (A6000, A6300) or pro level (A7 series) camera lines.

 

Many people have been asking for this feature to be added to the Sony mirrorless line for a very long time.  While some cameras in the Sony NEX series had some touch screen capabilities on them, none of the recent Sony mirrorless cameras over the last 2.5 years have included the feature.  I for one did not see a huge NEED for touch screen and was perfectly happy with my cameras not having the feature.  But clearly many people wanted it, and Sony listened.

So when I got my hands on the camera this was one of the very first things I tested.  I went down to La Jolla Cove near San Diego with my crew and a beautiful model named Kelsey Barker.  I set the camera up on my Feisol tripod and tested it both in stills and movie mode.

It was pretty impressive.  The stills mode was very nice and I could see using it for portraits work where instantaneous focus isn't required.  In my opinion this will be for making sure you get the focus EXACTLY where you want it, and I'll also note this is a faster option than going through the menu to select a Flexible spot point.

Where the touch screen truly shined was in video (movie) mode.  As someone who uses my A7 and A6000 series camera for filming my Youtube Channel this is going to be a big deal for us.  The focus was very smooth as it transitioned between areas of focus that were pointed out on the screen.  All of this is illustrated in the video included in this blog post, so please make sure to watch it.

When the A6500 was announced many people asked if it was worth the upgrade over the A6300 which is only 9 months old.  I'm on record as saying this camera excited me more than anything for what it would do on the video end of things....and so far with the touch screen, my excitement is real for this camera and it's possibilities.  I now truly hope the future iterations of Sony mirrorless cameras will have the touch screen option on them.

While professional videographers may argue over whether or not they would use auto focus in their work, for a lot of folks like me who are more hybrid photographers/videographers, having that touch screen and being able to get a beautifully transitioned rack focus is pretty special.

I can't wait to play with it more...:)

**Links to Gear:

*Sony A6500-  

*Sony 85mm G Master- 

*Feisol Tripod- 

1 Comment